Nazia Lacey

Terafile is a sans serif and dingbat font family. This typeface has seventeen styles and was published by Sudtipos . Terafile Terafile , a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in a graphic way the universe related to technology, sci-fi, industry and similar topics. It is a mixed family, because the construction of certain letters (as in “a”, “f”, “z”, “B”, “P”, among others) is enriched with different finishes in structure to gain differentiation and plasticity. In other words, it moves away from an entirely academic design. Another important line in the creative concept of this typeface is the function of its ink traps, which, in addition to fulfilling their primary function, serve to gain gestuality in its use. This font is capable of covering complex design needs by enabling association with specific themes, which makes it

Designed by Rian Hughes, Faculty is a display sans and sans serif font family. This typeface has twenty-eight styles and was published by Device . Faculty Faculty is a robust, warm and rational sans, with a large x-height that lends clarity in text and headline. Functional, clear and authoritative, it still has character. Stroke terminals are cut vertically or horizontally, minimising inter-letter gaps and lending it an even ‘colour’ in extended settings. Suitable for both headlines and text, the family has extensive language support, alternative characters, lining, tabular and old style numerals, making it a versatile all-purpose type system. Faculty Download Now View Gallery

Designed by Hendry Juanda, Madre Rose is a sans serif font family. This typeface has three styles and was published by Letterhend Studio . Madre Rose Madre Rose is a sophisticated sans serif with 3 weight style to choose from, bold, thin and regular. It has many beautiful ligatures which you can play around to match your project, whether for a standout headline, or for a tagline, you name it. The unique letterform makes this font one of a kind! Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 weight style uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Ho

Designed by Deepak Dogra, Agenor Neue is a sans serif font family. This typeface has seven styles and was published by Graphite . Agenor Neue Agenor Neue is a geometric sans serif with a slight twist. The selective use of rounded edges gives it a unique and distinct character. Agenor Neue family comes in 7 weights and works great for logotype, headers, titles and any other display usage. The Regular weight is available for free and can be used for any commercial or personal project. Agenor Neue Download Now View Gallery

Armano is a sans serif font family. This typeface has five styles and was published by Foxtype . Armano Armano Display is a Unique Modern Elegant Typeface with Web-fonts. It’s a very versatile font that works great in large and small sizes. Armano Pro would perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image. Strong capitals and a smooth, open lowercase are effective in a variety of applications. It’s shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile and easy to read. 5 Weights Included. TTF, OTF, WOFF, WOFF2, EOT Included. Free updates and feature additions. Armano Download Now View Gallery

Designed by Francesco Canovaro, Bakemono is a sans serif font family. This typeface has twenty-two styles and was published by Zetafonts . Bakemono Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies.

Designed by Mateusz Machalski, Alfabet is a sans serif font family. This typeface has twenty styles and was published by MACHALSKI . Alfabet Alfabet is the result of over 3 years of work on a typeface inspired by Swiss and German designers & researchers. The main idea was to create a sans-serif with geometric and strong feeling. Whole family will work wherever we want to emphasize modernity and a rational way of visual thinking. Alfabet will be perfect choice for multiscript branding purposes, all styles support Latin (+Vietnamese), Greek and Cyrillic scripts (with Ukrainian,Bulgarian and Serbian forms). The whole family consists of 20 styles – 10 weights and matching italics. In addition to the rich set of characters, Alfabet includes Alternates, Superscript, Subscript, Ligatures, Arrows set and 7 different styles of digits. Alfabet Download Now View Gallery

Designed by Dennis Ludlow, Mouser is a sans serif font family. This typeface has six styles and was published by Sharkshock . Mouser Mouser has been an ongoing project that originated as a geometric sans of the same name before morphing into a similar, but entirely different family called TypoGraphica. It retains much of its earlier character such as limited contrast, high legibility, and tight spacing. Major changes were made for a simplistic, more cohesive look. This was done to maximize its usefulness for body text while keeping characteristics used for display purposes. Slices to top strokes are much more subtle with styling dialed down to a minimum. This family comes in 6 different versions to meet a variety of needs. Mouser is equipped with Basic and Extended Latin/diacritics, Cyrillic, kerning, ligatures, and fractions. Try it for website text, applications, or headlines. Mouser Download Now View Gallery

Designed by Hendry Juanda, Givonic is a sans serif font family. This typeface has seven styles and was published by Letterhend Studio . Givonic Givonic is a new geometric sans serif and clean variable font. The typeface is versatile to blend in your design- with 6 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded Givonic Download Now View Gallery

Franchise Pro is a sans serif font family. This typeface has nine styles and was published by Interrobang Type . Franchise Pro FRANCHISE is a powerful display typeface meant to communicate rapidly and with power without compromising style. Franchise is just as much at home on the front of a donut shoppe as it is on the scoreboard at a football stadium. This was the original description given when the face was released, and it proved quite prophetic as the typeface has been used all over the world in just about every industry. You can get a small taste of its versatility by checking out the face in use. The full version is an extension of the original face, but it is also a re-working of it. Optical adjustments provide for a more legible face, and one that plays nicely in different weights. Rounded corners have given way to decisive edges and deliberate angles. Each weight speaks a distinct language on its own, but mixing the weights provides for an engaging texture and solid b

Designed by Keith Bates, Oxford Street is a sans serif font published by K-Type . Oxford Street Oxford Street is a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster in Central London. The nameplates were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger’s Univers typeface, a curious combination of Univers 69 Bold Ultra Condensed, a weight that doesn’t seem to exist but which would flatten the long curves of glyphs such as O, C and D, and Universe 67 Bold Condensed with its more rounded lobes on glyphs like B, P and R. Letters were then remodelled to improve their use on street signs. Thin strokes like the inner diagonals of M and N were thickened to create a more monolinear alphabet; the high interior apexes were lowered and the wide joins thinned. The crossbar of the A was lowered, the K was made double junction, and the tail of the Q was given a baseline curve. K

Designed by Aga Silva, Timernis is a display sans and sans serif font family. This typeface has nine styles and was published by Aga Silva Fonts . Timernis Timernis is humanist multilingual contrast sans serif available in nine weights from thin to extra black. All caps have this super elegant, classic proportions old school look and is based on 1940 stone engraving commemorative plaque. The engraving itself boasted sophisticated clean look and was a joy to look at. All caps: Would suit display usage such as: signage, titles, headers, engravings, high end packaging. Do try putting space between the letters in your selected word for suave and chic feel. Expanded round shapes are prevalent in lowercase, which is legible in small sizes and pleasant to the eye. Timernis Download Now View Gallery

Designed by Jeff Levine, Show Card Sans JNL is a sans serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Show Card Sans JNL Show Card Sans JNL (available in both regular and oblique versions) is based on a chart showing the basic construction of sans serif lettering in the 1922 instruction book “Modern Show Card Writing”. Show Card Sans JNL Download Now View Gallery